G. Roy Levine, Director of MFA in Visual Arts, Vermont College ~2001
New Art
After driving 9 hrs installing the artwork for the Rubberneckers exhibition at Vanderbilt was easy ... especially when you have a great curator like Jodi, who dosnt mind climbing ladders ... and of course my assistant & companion ... Estaci ...
The show looked great, the spacing and laying out of the show was what really made it work. Although there were 9 artists/groups showing, there was a perfect amount of space and rhythm between the works to allow them to ebb and flow ... This rhythm of negative space is what made the show both cohesive and the works all relative to the curatorial statement, which was about movement, voyeurism, and how "lookers" sometime get in the way ...
Gleaning Time & Alley Sites Installation ...
Jake Galle's corn field (in back) next to my found object & photo installation ...
Shea Craig & Yvonne Swanson's Most Beautiful Thing interactive web-based piece ... with Victoria Burge's prints as the visual entry ... and there's Jake's corn-art again!!!
Paula Booth's urban paintings & Erika Wollam Nichols' 58 minute video of Shelby Creek Reservoir ...
The rest of Erika's piece - The Trash Mandala - trash found around the same Reservoir
This Must Be the Place's collaborative performative interventive piece a la Bob Ross mentorship video - A Pretty Nice Painting ...
Tania Kupczak's interactive audio piece - the sound of snow ...
... and back to the beginning. The battery in my camera ran out so I don't have an image of Larry Caveney's incredible video of 2 girls fighting at a gallery - arm wrestling actually - or of John Calley's drawings of cars & people -- done with a bit of motor oil ... Nashville is great and Jodi ROCKS!!!
Brad Thomas Birchett, Nuclear Venus or Cest Le Vie, ~ 45 x 49, 2005-2007
Nuclear Venus or Cest Le Vie and her ilk can be seen at Gallery 5, the Disrobed 2 exhibition, June - July 2007.
Believe me I AM going to get a Web Page one day ... Here I am washing a stone for my Action to Object installation. In this installation I have a stone cairn juxtaposed to a series of 12 average sized formal paintings. Behind the cairn and facing the paintings at an angle is an old cement bench (see below). To the side are 24 small panels, docu-photographs, on the wall - images from the Alley Sites intervention ...
In the photo-painting above I have juxtaposed myself in front of my 2 German Shepherds ... Later, the shepherd on the left, Zuzu, dies, as the one on the right, Luka, becomes the fixation of my newest eco-enviro-intervention, The Everyday Act of Existence, which can be seen at Randolph-Macon College, Flippo
Gallery, Artists & Writers, February 18 thru April 20, 2007 ...
Pomegranate for the People / Matter of Time exhibition
What makes this piece bio, as in bio-art, is mostly about the pomegranate seeds ... There may be some green tea here, but my friend Marlene brought pomegranates to the studio one day when she and Curtis were working on a mural project. I was using "gifts" and found material in my work in those days ... Did you know that after you pop a pomegranate seed and let the juice sit on a panel the next day it is bleu ... as in blue the color??
This painting always seems to work best with the wire forms. The wire forms were from an environmental installation I did at Vermont College in Montpelier Vermont. I hung old Army shirts with inverted wine bottles equiped with small tubes that allowed the wine to drip slowly onto the snow (always about 2-4 feet in February). When it was done, I felt as if the wire forms themselves were the best part of the piece, and began re-making them in multiples - thanks to Megan ...