Brad Birchett Art: installation

Showing posts with label installation. Show all posts

Sunday, April 7, 2013

Consolidated Landscapes Exhibition

Return is a collection of objects and artwork that was installed at Delicious Spectacle Gallery in Columbia Heights, Washington D.C., on April 7, 2013. It is there for a month.

"The Last Supper," Easter Sunday 2013, sound studio creating Return, 03.31.13

Return (detail), installation, found objects, collections, pigment prints, sound art, 2013

Return, installation, found objects, collections, pigment prints, sound art, 2013

Return (detail), installation, found objects, collections, pigment prints, sound art, 2013

To listen to Return, the sound art piece, please click on the same title here: RETURN

The process and the artwork become the same. Outdoors at specific sites, installations are created, documented, and left as a reference to both the art action and their origins. In the studio, a combination of creating and re-creating takes place using documentation, drawing, photo-media, sound, collections, and mixed media forms; all in series, layers, and multiples morphing in and out of each other. The studio work is the final end result of the process, or simply the leftover physical heap reflecting the art making process.

_________________________________________

Zorri ... December.2007 - March.2013

Saturday, February 9, 2013

Once Was

A mock-up including the craft learned from previous re-placements of stone cairns, collected sounds, and environmental installation and intervention

Brad Birchett, Once Was, (mock-up) found objects, docu-photograph from intervention, and sound art, 2013

Once Was from Brad Birchett on Vimeo.

Brad Birchett, Once Was, 3:56 clip, part of above installation - One Was. Click on the arrow then scroll back up to the visual image for the full effect of almost being there but not quite.

Saturday, January 7, 2012

Once Was: Lama Mountain, Taos, NM

Once Was is a land art project, a sequence of events that is in continuum. It begins with movements within a place, a place of art action and invitation, and the visual goal is the placement of a simple environmental installation made with a white "farmer's wife" dress from the mid 20th century. The series began (Site-Seer: Transformation) in 2004 with the placement of these installations at various places along the east coast derived from storytelling by my mom and her sister ...

Thanks to the generosity of the directors of Herekeke (an incredible artists' retreat on Lama Mountain NM), Liliana and Peggy, for inviting me and allowing me to transform while investigating the beauty and magic of Lama Mountain. Lama Mountain is in the Sangre de Cristo mountain range, at the southern base of the Rockies.

Sacred Mountain, Taos Pueblo

Pueblo Horses

Lama Mountain is just north of the Taos Pueblo, outside of Taos NM.

The work begins with the best and hardest part ... finding the site for the installation.

This is where the searching, hiking, scrambling, and at times danger begins ...

It is good to have good friends ...

Relic and ritual are part of the process, content and context ...

The sites are usually on borders - in the Taos mountains land and water rites are one in the same, fiercely guarded and shared.

This place centered around an old cistern, no longer in use, but the relics of the community defined its purpose and importance ...

This was where the site was meant to be ... and so the dress was installed ...

Brad Birchett, Once Was: Lama Mountain New Mexico, 2011

[period objects installed within specific places - ongoing]

Saturday, March 21, 2009

Gehäuse Untergeschoss (part II)

Gehäuse Untergeschoss

March 7 - March 29

2009

What an incredible experience I had in Dusseldorf. The privaledge was to exhibit with these 4 incredible Künstlers (artists) ... Thanks to Kai, Pirko, Thomas, and Evangelos ...

The opening for the show was great - many collectors and art reps were there, along with family, friends, and many, many, incredible artists like my new freund Lutz Fritsch. See a walk-through of the exhibit below ...