Friday, February 5, 2010

Sound Art


Once Was (originally "Event: Earth and Time") from Brad Birchett on Vimeo.
This piece is presently installed at Morehead State University, Claypool-Young Gallery in an exhibition titled No New Tale To Tell ...
Once Was is a clip from a sound art piece that was originially documentation for an interventive installation placed at various sites along the east coast ... The series continues to change over time ...

Friday, January 29, 2010

2010 Painting

Click on image for larger view ....
Brad T. Birchett, Tableu Circle, mixed media on canvas, 48x45", 2010

Brad T. Birchett, Dolmen Libra, mixed media on canvas, 48x41", 2010

Brad T. Birchett, Urban Renewal, mixed media on mounted rag papers, 31x35", 2010 -- multiple
For more artwork see my full blog site at: http://www.bradbirchettart.blogspot.com/

Saturday, March 21, 2009

Gehäuse Untergeschoss (part II)

Gehäuse Untergeschoss

March 7 - March 29

2009

What an incredible experience I had in Dusseldorf. The privaledge was to exhibit with these 4 incredible Künstlers (artists) ... Thanks to Kai, Pirko, Thomas, and Evangelos ...

The opening for the show was great - many collectors and art reps were there, along with family, friends, and many, many, incredible artists like my new freund Lutz Fritsch. See a walk-through of the exhibit below ...

Gehäuse Untergeschoss

Brad Birchett, Site Seer, Entropy, and Existence, 2009

Thomas May, Installation and Docu-Photography, 2009

Evangelos Papadopoulos, Funnel For Your Souls, 2009

Pirko Schroder, Industrial Vent: Light Box, 2009

Kai Richter, Material-Site Installation, 2009

See below for more info on the show, the artists, and the exhibition.

Thursday, February 26, 2009

Gehäuse Untergeschoss

Gehäuse Untergeschoss
March 7 - March 29
Philara Sammlung Gallery
New Works by:

Brad Birchett

Thomas May

Evangelos Papadopoulos

Kai Richter

Pirko Schroder

Opening: Saturday, March 7th, 7:00 pm
Exhibition: March 7 - March 29
Hours: Saturday-Sunday 3:00 - 6:00 pm
Telephone for special viewing: 01771469436, 017661151253

Walzwerk Street 14

40599 Düsseldorf

This exhibition will continue to Nuremburg in Fall 2009 ... See you there ...

Friday, January 23, 2009

Urban Renewal II



Urban Renewal - 01/09 - Now the piece or project has grown to about 53 parts - 5x7" paintings inspired by formal elements of nature but also by the ritualistic and rythmic act of walking the grid of alleyways of my neighborhood ... and of course, with my rescue shepherd Luka. See the first Urban Renewal entry below for more info and images of the first pieces. Above is a grid of 24. The piece continues to grow over time ... created from a piece of history - damaged paintings on paper from the Shockoe Bottom Studio Fire of 1997 (wow, 12 years ago!). These pieces were cut from the saved yet un-restorable paintings on paper left from the fire - re-painted with new and current ideas, formal elements, repetitive motion, and with an overall sense of social equality. See below for a few more details ...






























(See the Vanderbilt University show for other ritual-egalite-grid pieces)

Saturday, January 10, 2009

Ritual Function: Earth and Time


A little video I made in homage to Robert Smithson's Spiral Jetty movie - Earth & Time: Stone Cairn.  The audio is the same audio piece that plays from the bottom of the cairn ... Please excuse the pixel-noise.

Thanks to Kelly and Woodberry Forest (see "News")....
And the Orange (VA) County Review ...

Tuesday, December 2, 2008

Objects of Art

Ritual Function
"It is significant that the existence of the work of art with reference to its aura is never entirely separated from its ritual function." -- Walter Benjamin
A few years ago I began a series of environmental works investigating the relationship of art to time and decay. The series began as performative interventions and collections from open areas and natural settings. The destinations for these sites were pre-determined from stories passed down to me by my mother and aunts – tales of travel and strange events from their past.
The secondary art pieces resulting from these interventions are a combination of documentation, audio, collections, and objects in multiples and combined – all as layers over time.